Gracias a una propuesta del represe

Gracias a una propuesta del representante de Carlos di Sarli, se presentó en la casa del músico para cantar, y éste lo contrató y le definió su nombre artístico por el que es conocido, Alberto Podestá, reemplazando al que utilizaba hasta ese entonces: Juan Carlos Morel. Di Sarli le pagaba $350 por cada actuación en cabarets, $250 por las de radio y $35 por las de los bailes, a diferencia de Miguel Caló, quien le ofreció $250 por mes solamente. A pesar de las cifras importantes, Podestá casi no cantaba en las presentaciones, y era opacado por su compañero Roberto Rufino, por lo que se vio obligado a explicarle la situación a Carlos di Sarli. Durante sus actuaciones en el local "Marabú", conoció a importantes jugadores de fútbol de River Plate como Ángel Labruna, Alfredo Di Stéfano, Pipo Rossi, Adolfo Pedernera, entre otros. Con Pedro Laurenz, quien luego fue convocado por Odeón, grabó bajo el sello Víctor el tango "Nunca tuvo novio". Conjuntamente con Laurenz vuelve a la orquesta de Miguel Caló para completar la dupla de cantores con Raúl Berón. En dos oportunidades estuvo cerca de cantar con Aníbal Troilo, pero en la primera tuvo que realizar una gira previa con Di Sarli al Uruguay, y al regresar ya estaban ensayando en la orquesta Edmundo Rivero y Floreal Ruiz. Después, cuando Podestá estaba actuando en Chile, se desvinculó de Troilo: Raúl Berón, y aunque el interés de Pichuco era que Alberto Podestá llegara a su conjunto, las urgencias empresariales le exigieron a Aníbal contratar a Carlos Olmedo y Pablo Lozano de forma inmediata.

결과 (영어) 1:

Thanks to a proposal by the representative of Carlos di Sarli, arose in the House of the musician to sing, and it hired him and defined him his stage name by which is known, Alberto Podestá, replacing that used until then: Juan Carlos Morel. Di Sarli paid him $350 for each performance in cabaret, $250 for the radio and $35 for the dances, as opposed to Miguel Caló, who offered him $250 per month only. Despite the important figures, Podesta barely sing presentations, and was overshadowed by teammate Roberto Rufino, which was forced to explain the situation to Carlos di Sarli. During his performances in the local "Marabú", he met important football players from River Plate as Angel Labruna and Pipo Rossi, Alfredo Di Stéfano, Adolfo Pedernera, among others. With Pedro Laurenz, who then he was summoned by Odeon, recorded under the Victor tango "Boyfriend never had". Together with Laurenz Orchestra Miguel Caló again to complete the pair of singers with Raúl Berón. On two occasions he came close to singing with Aníbal Troilo, but first had to carry out a previous tour with Di Sarli to the Uruguay return already they were rehearsing the Orchestra Edmundo Rivero and Floreal Ruiz. Later, when Podesta was acting in Chile, split with Troilo: Raúl Berón, and although the interest of Pichuco was Alberto Podestá to reach a whole, business emergencies demanded Hannibal hire Carlos Olmedo and Pablo Lozano immediately.

결과 (영어) 2:

Thanks to a proposal by the representative of Carlos di Sarli, appeared at the home of musician to sing, and he hired him and he defined his stage name by which it is known, Alberto Podesta, replacing that used until then: Juan Carlos Morel. Di Sarli was paid $ 350 per performance in cabarets, $ 250 for the radio and $ 35 for the dances, unlike Miguel Caló, who offered him $ 250 per month only. Despite the important figures, Podesta almost did not sing in the performances, and was overshadowed by teammate Roberto Rufino, so I was forced to explain the situation to Carlos di Sarli. While performing at the local "Marabou", he met important soccer players of River Plate as Angel Labruna, Alfredo Di Stefano, Pipo Rossi, Adolfo Pedernera, among others. With Pedro Laurenz, who was later called by Odeon, recorded under the Victor Tango "never had boyfriend". Laurenz together with the orchestra returns to Miguel Caló to complete the duo of singers with Raul Beron. Twice he came close to sing with Anibal Troilo, but first I had to make a prior tour with Di Sarli to Uruguay, and were back in the orchestra rehearsing Edmundo Rivero and Floreal Ruiz. Then when Podesta was acting in Chile, he split with Troilo: Raul Beron, and although interest Pichuco was that Alberto Podesta reached a whole, corporate emergency demanded Hannibal hire Carlos Olmedo and Pablo Lozano immediately.

결과 (영어) 3:

Thanks to a proposal by the Representative of Carlos Di Sarli, was introduced in the House of the Musician to sing, and it hired him and he defined his artistic name by which he is known, Alberto Podesta, replacing the used until then: Juan Carlos Morel. Di Sarli paid him $350 for each Action in cabarets, $250 for the radio and $35 for the dances.Unlike Miguel Calo, who offered him $250 per month only. Despite the significant numbers, Podesta hardly Sang in performances, and was overshadowed by Teammate Roberto Rufino, so he was forced to explain the situation to Carlos Di Sarli. During their performances in the local "marabou" met important River Plate Football Players like Angel Labruna,Alfredo Di Stefano Rossi, Pipo, Adolfo Pedernera, among others. With Pedro Laurenz, who was then summoned by Odeon, recorded under the Label Victor Tango "never had a boyfriend." Laurenz Together again with the Orchestra of Miguel Calo to complete the pair of Singers with Raul Afro Caribbean. Twice he was close to sing with Anibal Troilo.But the first had to do a tour with Di Sarli and returning to Uruguay, were tested in the Orchestra and Edmundo Rivero Floreal Ruiz. Later, when the mayor was acting in Chile Left Troilo: Raul, Afro Caribbean, and although the interest of Pichuco Alberto Podesta was come to a wholeThe Emergency Business demanded Hannibal to hire Carlos Olmedo and Pablo Lozano immediately.