Isabella Coymans nació en Haarlem;

Isabella Coymans nació en Haarlem; era hija de Joseph Coymans y Dorothea Berck -cuyos retratos realizó Hals en 1644-, casándose en 1644 con Stephanus Geraerdts en su ciudad natal. Dos años después de la muerte de su marido, en 1671, contrajo matrimonio con Samuel Gruterus. Isabella falleció el 7 de octubre de 1689 en Haarlem.
Hals también retrató a su primer esposo, surgiendo un retrato doble tan habitual en el Barroco holandés. Tras la muerte de Stephanus, los dos retratos fueron separados. Nos encontramos ante uno de los retratos femeninos más activos de los pintados por el maestro holandés ya que la figura aparece en una postura escorzada al girar la cabeza hacia la izquierda de la composición, dirigiendo su mirada hacia el retrato del marido y entregándole la flor que lleva en su mano derecha. El vestido es una excelente muestra de cómo se puede representar la riqueza de un traje sin necesidad de realizar una imagen hiperrealista al utilizar una pincelada rápida, amplia y entrecruzada, aplicando el color de manera directa en la tela, un estilo que será recuperado en el siglo XIX por Courbet y Manet. De nuevo tenemos que hacer una mención especial al interés del maestro por captar la personalidad de su modelo, captando su alma.

결과 (영어) 1:

Isabella Coymans was born in Haarlem; She was the daughter of Joseph Coymans and Dorothea Berck - whose portrait Hals in 1644-, marrying in 1644 Stephanus Geraerdts in his hometown. Two years after the death of her husband, in 1671, married Samuel Gruterus. Isabella died on October 7, 1689, in Haarlem. HALs also portrayed her first husband, emerging as usual double portrait in the Dutch Baroque. After the death of Stephanus, two portraits were separated. We are faced with one of the female portraits painted by the Dutch master busiest since the figure appears in a foreshortened position when you turn your head to the left of the composition, looking to the portrait of her husband and giving the flower that takes in your right hand. The dress is an excellent example of how you can represent the richness of a suit without having to make a realistic image using a fast, comprehensive, and cross-linked, brushstroke by applying color directly on the fabric, a style that will be recovered in the 19th century by Courbet and Manet. Again we must make a special mention to the interest of the teacher to capture the personality of your model, capturing his soul.

결과 (영어) 2:

Coymans Isabella was born in Haarlem; she was the daughter of Joseph and Dorothea Berck Coymans -whose Hals portraits made ​​in 1644-, married in 1644 with Geraerdts Stephanus in his hometown. Two years after the death of her husband in 1671, she married Samuel Gruterus. Isabella died on October 7, 1689 in Haarlem.
Hals also portrayed her first husband, a double portrait emerging as common in the Dutch Baroque. After the death of Stephanus, the two portraits were separated. We are facing one of the most active female portraits painted by the Dutch master as the foreshortened figure appears in a position to turn your head to the left of the composition, directing his gaze to the portrait of her husband and giving flower He carries in his right hand. The dress is an excellent example of how to represent the richness of a suit without need for a hyper-realistic image by using a quick, comprehensive and crisscrossed brushstrokes, applying color directly into the fabric, a style that will be recovered in the by Courbet and Manet nineteenth century. Again we must make special mention of the interest of the master to capture the personality of your model, capturing its soul.

결과 (영어) 3:

Coymans Isabella was born in Haarlem; she was the daughter of Joseph coymans and Dorothea Berck - whose Portraits Hals was in 1644 - married in 1644 to Stephanus geraerdts in his hometown. Two years after the death of her husband, in 1671, she married Samuel gruterus. Isabella died on 7 October 1689 in Haarlem.
Hals also portrayed her first husband,A double Portrait emerging as usual in Dutch Baroque. After the death of Stephanus, two Portraits were separated. We are one of the most active of the female Portraits painted by the Dutch Master and the figure appears in a position escorzada to turn the head to the left of the composition.Looking to The Portrait of the man and give him the flower that he carries in his right hand. The Dress is an excellent example of how we can represent the Wealth of a suit without a HyperReal Image using a Rapid brushwork, large Cross, applying the color directly on the fabricA style that will be restored in the 19th century by Courbet and Manet. Again we must make a special mention to the interest of the teacher to capture the Personality of your model, capturing his Soul.